May 6, 2012

Trans Am >> All alone with my futurelove

Trans Am - "Futureworld"
(Thrill Jockey Records [U.S.] / City Slang Records [Germany], 1998)

Note: I wrote most of this last September, but couldn't post it because that was California Month, so here it is.  One of the reasons I'm doing it now is that I recently stumbled upon & bought a 1976 movie called FutureWorld at a thrift store.  Another reason is that I realized the bassline starting at the 4:30 mark was probably inspired by / stolen from the opening guitar chug in This Heat's "Horizontal Hold."  (See previous post.)

After a few unassuming retro post-rock / deconstructed-metal LPs with sarcastic synth splatters, Trans Am reprogrammed their algorithms to finally allow for vocals and true song structure.  Their recipe came to terrific fruition on their 1999 album Futureworld, whose title was, I assumed, a reference to CAN's album Future Days.  But like I said above, I'm now pretty certain it referred to that movie.  This one goes out to Joey ButtonsKathi.  I bought lots of cool CDs from their booth at the Record Raid in March, and it turned out they were also at the '99 Trans Am concert I will be talking about below.  [Update: Oops; only Joey was at it.]  This album came out in early '99, so I dated the song 1998, the year it was recorded.  This is the most effort I've ever put into a post, so I hope somebody gets something out of it...


The song's greatness is pretty self-explanatory, so there's not much to say here, other than to point out that it's a song about the isolation that people will feel as we become more bogged down by gadgetry that supposedly allows us to stay more interconnected.  Sound like 1999?  2012?  Well, imagine how it'll be in 2050, 3000, or 5000.  (5000?  Yeah right... I'll give you a million dollars if humans even make it past 2200.)  Sebastian "Seb" Thomson is simply one of the best drummers in history.  You can tell he's heavily influenced by Jaki from CAN, yielding that style that is uniquely choppy & funky, yet sleek & robotic.  He probably wears a shirt less frequently than Dave Navarro or Matthew McConaughey.  When the song slows down at about the 4:20 mark and shifts into a sinister, "prowling" mode, it's just the coolest thing ever.  I think Nathan sings "the falling snow" during the second half, but the vocoder is much more heavily used in that half, so your guess is as good as mine.  The music video was edited down by 2.5 minutes, omitting most of the ending, and sucked in many other innovative ways too:


Fun Fact: Yes, that's Ed Helms, later of The Daily ShowThe Office, and The Hangover, in a cameo appearance on banjo.

As far as other tracks on this album are concerned, "Television Eyes" (whose title is a reference to the Stooges' "TV Eye") and "Cocaine Computer" (please, folks, no jokes about Whitney Houston's Facebook account) are unquestionably the best.  In fact, I struggled for a long time deciding whether to post "Futureworld" or "Television Eyes," and had to look to my orb for guidance.

The early '99 Thrill Jockey mailorder catalog has this very succinct sales pitch for the album: "Can you say vocoder?  Sure you can – VO CODE R.  Lawful evil beats, nature documentaries, car chases and rock and roll anthems."

Jonathan Bunce of Eye Weekly gave the album a 5-star rating, and said "The world's most forward-looking rock band has created the definitive millennial document. Forget the false hopes and fears surrounding the three big zeros -- this is the sound of technocracy collapsing into banality. 'Sitting alone in my future home / Fax machine, telephone / Phonograph, gramophone,' sings Nathan Means on Futureworld's drone-rockin' title track, with a gentle melancholy that would sound alienated even if it wasn't processed by a vocoder. Yes, the fourth Trans Am disc is the first to feature vocal stylings and embrace pop melodies -- which enhances, rather than dilutes, their conceptual electro-rock assault. On first glance, the trio seems to have turned into Kraftwerk, with Teutonic titles such as 'Am Rhein' and the motorik melodics of 'Runners Standing Still' -- one imagines them waiting out Y2K in a Berlin bunker with only Six Finger Satellite for company. But there's accessibility, depth, humor and chaos colliding here, from the more-bounce-to-the-ounce bleepery of 'Cocaine Computer' to the aggressive fuzz-bass destruction of 'City in Flames' to the lighter-in-the-air finale of 'Sad and Young.' Just as last year's The Surveillance had the final word on urban paranoia, Futureworld says more about the sci-fi dystopia we live in than any Hollywood blockbuster ever could."

My Trans Am timeline:
First read about them in Nov. 1996 in a Thrill Jockey mailorder catalog
Got their debut album Trans Am on vinyl in March '98
Missed them live a month or so later at the Mermaid Lounge in New Orleans due to having to cram for a test that night; swore I'd catch them the next time out
Read a glowing review of Futureworld in Mar. '99 in Spin*
Finally got to see them in May '99 (with lame openers Pan Sonic and The Fucking Champs) at the Mermaid
Got Futureworld on vinyl in 2005

*I also bought Moonshake's Dirty & Divine that day at that store

Note: Local instrumental prog / post-metal band Weedeater (not the stoner metal Weedeater from North Carolina) were for some reason replaced on the bill by The Fucking Champs.
I never got to see "our" Weedeater; check out this clip (probably from '94 or '95, based on the Dead Eye Dick video teaser at the end) of them.  Trans Am's first album sounded a lot like this.


At the concert, they played a couple of vocoder-ed songs, hence they played "Futureworld" and "Television Eyes," the two best songs on the album.  And I remember someone in the audience shouting out "Illegal Ass!," which I later learned was a song from one of their obscure EPs.  Here are pics from that show, taken by me and Andrew Mister on my Kodak disposable camera; sorry for the small file sizes:




A Loyola student was filming Trans Am and projecting the images in real-time onto a screen behind them while they played.  This must have been a digital camcorder, because the images were being altered in various ways to make the band look like computer-animated drawings and/or robots.  Unfortunately this did not show up in the pics because the flash drowned it out.  As you can imagine, I would give anything for a video of this gig!  Nate was sporting an all-gold basketball uniform for some reason... Coincidentally, the Washington Bullets/Wizards briefly changed their main jersey color to gold several years later.  For good measure, here's a pic of Finnish minimalist techno "band" Pan Sonic (f.k.a. Panasonic) playing their "music" while standing behind lots of expensive equipment:


I never saw Trans Am again, even though they came through here a few more times.  They toured arenas(!) opening for Tool in late 2007, and I actually almost went to see one of those dates, but I had not paid any attention to either band for about five years, so I skipped it.  Futureworld was reissued on LP with remastered sound and free digital download (containing two rare tracks) in late 2011.

Monday, Apr. 30: Saw Dayna Kurtz at the Hi-Ho Lounge; got there late and only saw the last 30 or so minutes.  There were only about 20 people there.  Like most folk singers with an affinity for New Orleans (Ani Difranco comes to mind), she has allowed NOLA's music to influence her recent music for the worse.

Tuesday, May 1: My dad had knee arthroscopy, so we helped him with icing it, etc.  Dropped off a few trees at Parkway and had an impromptu conversation with Haley (sp.) for around 2 hours.  She works for that organization and I just volunteer there; she recently put in all the native trees around the "Big Lake" in City Park by the art museum.  I showed her a separate farming plot a block away that she had never been to, which kind of blew her mind.  She signed me up to do a long-term project with her that will involve us designing and planting a fruit orchard for some new school in New Orleans East.  It's kind of a thrill when an attractive, much younger lady follows one around and writes down one's botanical musings on her notepad for a few hours, but I didn't let it go to my head.  Okay, I did, but who wouldn't?  It was one of those "I've got the brawn, you've got the brains" kind of things.
Afterwards, went to Home Depot a few blocks away and saw a very rude older white lady verbally accosting a black male H.D. employee (and a white male one, who soon walked away and left the other guy to fend for himself) for a long time about something he had no control over.  Specifically, light bulbs.  Sample gripe: "You people who work at Home Depot are almost as bad as the ones who work at Lowe's nowadays."  Reported her b.s. to a store manager, and mentioned that if it were my store, I'd kick her out.  Shot hoops at the Annunciation St. court, and then, for the first time ever, at the NOPD station's court on Magazine.  The latter was a bit difficult because the rims are a little too high (some courts do this to discourage dunking, which damages rims) and were double-thickness (which makes the ball bounce wildly on even a slightly-errant shot).  Got dad some chocolate with bacon in it at La Dulce Vita.  Had New Girl Night with Em, mom, dad, Vanessa.

Wed., May 2: Despite a sudden rainstorm, I stopped off at a small nursery on the Westbank that I almost never go to.  Ended up talking to the employee for about an hour about tons of stuff after she asked me "Want a free tomato plant?" in the greenhouse.  Let's see, we talked about cacti, tomatoes, mushrooms, music (she used to have punk bands play at her apartment), tattoos, asparagus ferns, atheism, Russian sage, etc.  I showed her that the white petals of the Pineapple Guava tree look, feel, and taste like marshmallows, which she was pretty impressed by.  Definitely my dream girl, and I think she spoiled me for all other females in the future...  (And of course, the rain magically stopped right after I walked in.)  And to top it all off, the last song I heard on the radio (WTUL) right before turning my car off and going in was a song that I later found out was "Endless Summer" by this Aussie band called The Jezabels.  Kind of a mash-up of Kate Bush, U2, and Sunny Day Real Estate.  My point is that it's a really dramatic song that seems tailor-made to lead into something great, kind of like the boombox scene in Say Anything.  So overall, it was like a scene out of a movie: I hear that song in my car while it's raining; something impels me to go into a plant store; the rain stops to make way for the "endless summer"; I meet The One and we hit it off.  And knowing my luck, I probably never see her again...  But for me, a great convo is better than sex, and probably less grueling than a marriage.  She's a big fan of mushrooms and '70s psych music, so I made a mental note to give her a CD-R of Amanita by Bardo Pond.

Later that day, I planted my Mayhaw tree in Vacherie during another bout of rain as the sun went down.  Watched a bunch of videos by EatTheWeeds, which are always fascinating, until the wee hours.

Over the past few days, I've planted a Viburnum dentatum (Arrowwood) and Lyonia lucida (Fetterbush), as well as those free tomato plants.  Deciding if I want to accept some free tickets to Jazz Fest today from my sister; the only good act is the Foo Fighters, but they're playing for 2 full hours, and I recently became obsessed with their song "Best Of You."  Saw them in '97, and that gap of years would usually preclude me from seeing the same band nowadays; but they've had a ton of good singles since then.  Dave Grohl's semi-ironic "metal warrior" posturing really sticks in my craw, though, and it's gonna be 95ยบ heat index today with possible rain.  Decisions, decisions...

In honor of heat, humidity, my dad's knees, and film cameras, here's me, Em & dad on a pier on the Mississippi coast in mid-1990.  The fam was tagging along with him en route to one of his many triathlons that he did ca. 1990-92.  He's 38 in that pic.  I was wearing my LSU Basketball Camp t-shirt which I had just gotten weeks earlier.  Shaquille O'Neal signed the back of it at the camp right after a breathtaking LSU intrasquad scrimmage.  That's the only athlete autograph I've ever requested or received; unfortunately I never took a pic of it before throwing the shirt away a few years ago.

Yes, we threw them back

Planets with similar climates: Simple Minds - "70 Cities As Love Brings The Fall" (1981), Add N To X - "Metal Fingers In My Body" (1999), Satisfact - "First Incision" (1996) & "Triple Deck" (1998), The Horrors - "New Ice Age" (2009), Mocket - "Un-Man" (1998), The Sound - "World As It Is" (1984), probably some stuff by Tubeway Army.

April 28, 2012

This Heat >> Mechanical bird of prey, sing for your emperor

This Heat - "Horizontal Hold"
(Piano Records, 1979 [recorded between 1976-78]; issued / reissued by ~7 other labels)

Well, it took me 170-something posts to finally dip into the '70s.  I remember reading an early-'90s interview with Piotr Fijalkowski, singer of the great band Adorable, in which he said that music from before 1980 (he then specified pre-Echo & The Bunnymen) was worthless to him, and for the most part I have to agree.  Most of the songs I've posted on this site simply couldn't have existed pre-1980, yet your typical casual music fan will always aver that the '60s were by far the best decade for music, dude.  I first heard this song on a mix tape made for me by, I kid you not, a girl whom I had lent a Plexi promo poster.  I only knew this girl, Suzy Grimes, online, and for some reason just had to show her this amazing poster.  By 1999 I resorted to threatening legal action if she didn't send it back, so she did, and included a mix tape.  If you don't know what the title of this song means, you've never owned a VCR.  I didn't know what to title this post, since the song is an instrumental, so I chose a strange n' unsettling lyric that popped into my head and seems to fit "Horizontal Hold"'s feel.  It's from The Church's breezy jangle-pop classic "Already Yesterday."


Joy in repetition... All Music Guide gives the LP 4.5 stars and says "Their angular juxtapositions of abrasive guitar, driving rhythms, and noise loops on the opening cut, 'Horizontal Hold,' preempt much later activity in the electronica and drum'n'bass scenes."  Okay, I think we can all agree with that.  The reviewer then goes off into some pretty ludicrous hyperbole, such as "There are very few records that can be considered truly important, landmark works of art that produce blueprints for an entire genre. In the case of this album, it's clear that this seminal work was integral in shaping the genres of post-punk, avant rock, and post-rock and like all great influential albums it seemed it had to wait two decades before its contents could truly be fathomed. In short, This Heat is essential."  Oh.
Trouser Press gives a much more level-headed summary: "This Heat covers two years of the band's history, with both live and studio cuts. They use guitar, clarinet, drums and keyboards, permuted with loops, phasing and overdubs, breaking down patterns into only faintly connected musical moments that include artificial skips and looped end-grooves. Though insolent and withdrawn, the music is adventurous and, in its own peculiar way, engrossing."
The most recent review on rateyourmusic.com at the time I began writing this post consists simply of this sentence: "This album is more revolutionary and significant to the aesthetic evolution of music than the complete works of Stravinsky and Stockhausen combined."  Ohhh.  Well that explains everything.  All in favor of lifetime internet bans for trollers please contact me.

On Thursday I finally started reading The Hunger Games, and I believe it's gonna be too bleak / barbaric for me to finish.  The writing is very succinct and Raymond Carver-esque, so I'm writing this paragraph in RC's style.  I planted my huckleberry tree and the saddest thing happened right when I was crouching down finishing up: A dragonfly that had no abdomen at all landed on a branch a few inches in front of my eyes.  I guess it had been bitten off moments before by a bird or anole.  So it could still fly around, but had no ability to digest food, hence it only had a few minutes or hours to live.  But it sure seemed calm and content on that little branch.  Man, the world sucks.  Also planted a Juniperus chinensis 'Blue Vase.'  I unfortunately missed one of the best live bands of this era, White Hills, at Siberia in New Orleans.  (I saw them at that same club a year ago almost to the day.)  I skipped this show because a fairly lame band called Sleepy Sun was headlining, and another lame one, Dirty Ghosts, was on the bill.

Worst new trend: People vying for the title of longest video on YouTube, e.g. this one.

Current crush: Rebecca Blumhagen of the show The Girl's Guide To Depravity.

Since I have amassed a backlog of great or interesting links, I'll just use this post as a clearinghouse for them:

Criminal probe spotlights tree poisoning to make way for billboards

Why is Tom Cruise such a dick? - "Only five of the characteristics are needed to complete this diagnosis, and Cruise meets all nine."

Man claims attack by mountain lion, saved by bear

Death row chef shares last meal requests on Final 24 Hours

The 10 creepiest things about Zach Morris

What happens in an internet minute?


What would Lincoln say about today's GOP?

Rajon Rondo, magnificent weirdo, makes every tip-off a show


Planets with similar climates: Brise-Glace - "Neither Yield Nor Reap" (1994), Bathyscaphe - "Brise Glace" (2004), Blind Idiot God - "Subterranean Flight" (1987), Glenn Branca - "The Ascension" (1981), Trans Am - "American Kooter" (1995), Simple Minds - "Sound In 70 Cities" (1981), Neu! - "Negativland" (1972), Unwound - "Side Effects Of Being Tired" (1997).

April 25, 2012

!!! > There's a tension in the air tonight and it ain't imaginary

!!! - "Intensify"
(Gold Standard Laboratories [a.k.a. GSL], 2000)

This is from !!! (pronounced "Chk-Chk-Chk")'s genius debut album.  I downloaded it from eMusic in 2003, then bought the actual CD some years later.  The LP came out on black, clear, and blue vinyl.  It took me 9 years to realize that this lyric name-checks Phil Collins.  They definitely were strongly influenced by those early '80s NYC funk-punk-dance bands (Liquid Liquid, Contortions, Konk, ESG, Theoretical Girls, etc.).  Based on their song titles, it's easy to write this band off, but their jaw-droppingly great musicianship is no joke; the drum and bass interplay on it might be in the top 5 I've ever heard.  In a few decades, this album will be sampled by every wannabe DJ (sorry... "turntablist").  This song's slow, hypnotic guitar part contrasts with the fast drumming to mess with the listener's perception of time / speed.  I think the song goes on a little too long, though.  AllMusic Guide noted that "!!! trash the axiom that says bands influenced by angular post-punk must be populated by dour misanthropes who sport wallet photos of Ian Curtis."


Fun Fact: The last things thanked in the album's liner notes are "Jet Li, sneakers, basketball, Eddie Murphy c. 1982-1987, sausages, our parents..."
Unfun Facts: Original drummer Mikel Gius was killed by a car while riding his bike in 2005.  His replacement, Jerry Fuchs, died in an elevator shaft in 2009.

Keith Haring-ified band pic from CD booklet

You can check out sound samples from !!!'s sister band Out Hud over here.

I finally got to see !!! on Friday, at legendary Tipitina's, inside of which I had not set foot since 2004.  In fact, I had forgotten all about the basketball goal above the mixing board.  !!! were rocking the hell out of it for almost an hour without me recognizing any of their songs, at which point Nic said they were gonna do two more.  They then played the pretty good song "Heart Of Hearts."  Nic said "This is the first time we've played in New Orleans... to more than 20 people."  I was thinking that I'd go the entire show without hearing anything from their first album... Then I heard the bassline and drum part of this last song unfolding, I knew the moment had arrived: They were playing none other than my all-time favorite !!! song, "Intensify."  Dude, I was so pumped.  It was a nearly 10-minute rendition, replete with dual drummers at one point, and a birthday cake being handed to the guitarist onstage near the end.  Probably one of my top 5 most memorable concert moments ever.
The hotly-tipped abstract Seattle rap duo Shabazz Palaces opened, and were the main reason I went.  They seemed kind of underwhelming at first, since it was just two dudes, one of whom was at a laptop computer, and the other of whom was on a primitive drum set.  But when I realized that I should view them more as a trip-hop / downtempo group than as a rap "crew," I started to really dig them.  Think Mezzanine-era Massive Attack with some Last Poets and Antipop Consortium mixed in.  (Local rapper Vocka Redu did an unannounced opening set lasting about 20 minutes; we only saw his last song.)  I got a red Shabazz shirt and my sister got a white !!! tank top.  The logo on it is totally genius in its simplicity: Black Flag's logo with three dots put underneath three of its bars.  (Em and I had seen Digable Planets, one of Shabazz's parent bands, at Voodoo in '05.)  I wore my boombox necklace and got lots of respect for it.
The fun was a bit tempered because Damion's dad had suffered a small stroke that day or the day before, but we are told that he is recovering very well.


Saturday the 21st, Record Store Day:  Went to Skully'z in the rain; got the Civil Wars' RSD live CD EP for my mom for Mother's Day, and a Suzanne Vega best-of CD for myself.  Got a blueberry scone and a smoothie at Community Coffee on Royal.  Then went to Euclid Records and immediately saw... Dayna Kurtz!  (See previous post.)  Amazing... I didn't say anything to her, though, because I figured she might be pretty peeved if some random guy walked up to her and was like "Hey, I just gave away a song of yours for free on the internet."  It turned out there was a big in-store performance about to occur, so I figured she was probably going to be playing.  Alas, she did not.  The bands I did see were Charlie Halloran Experience, Blind Texas Marlin, and Boom Chick.  Boom Chick could be the next White Stripes, and are quite clearly modeled after them.  I ended up staying for several hours, and got some great stuff, incl.: New Order - "Shellshock" (12"), A Tribe Called Quest - "Bonita Applebum" (12"), The Mission - Children (LP), Nicholas Payton - Sonic Trance (CD) (an overt but aurally pleasing ripoff of Bitches Brew-era Miles Davis), Eurythmics - "Here Comes The Rain Again" (picture-disc 7").  Went up the street to Harold's Nursery for a while and got a purple basil plant for no reason.  It was about 20 degrees colder than usual due to a freak cold front.  I skipped the "headlining" band, local punk cretins Die Rotzz.



Yesterday: Went to Clegg's Nursery in Baton Rouge for the first time and got a great native tree that no other stores carry called Styrax americanus (American Snowbell), and a hard-to-find reddish-spined little cactus called Echinocereus rigidissimus var. rubrispinus.

Today: Played basketball at Ezekiel Jackson park in Garyville (G-ville) for the first time.  Planted my Styrax americanus.  Watched what was probably Steve Nash's final game as a Sun; ticked & amazed that the coach only played him for a few seconds in the 4th quarter.

Sorry for talking about so much off-topic stuff recently, but March & April tend to be packed with events around here, and is actually known as "festival season" colloquially in the area.  Summertime is pretty uneventful for me, so you can always look forward to less extraneous details once the weather starts really heating up.  I really don't have much of a life, so please don't ever be fooled into thinking otherwise.  I have kind of a nose for finding cool concerts / events, but the other 95% of my life is just as nondescript as anyone else's.

The New Orleans Bounce - "Campaign to change the name of the Hornets to the New Orleans Bounce."
Not sure I agree with this, but it's a pretty ingenious name, considering what a basketball does, and the name of the most famous strain of NOLA rap music.  I think they need to pilfer the name Voodoo from our struggling arena football team.

Planets with similar climates: Liquid Liquid - "Scraper" (1983), CAN - "Mushroom" (1971) & "Vitamin C" (1972), The Pop Group - "She Is Beyond Good And Evil" (1979), James Chance & The Contortions - "Contort Yourself" [original version] (1979), Gang Of Four - "It Is Not Enough" (1982), ESG - "UFO" (1981), Red Hot Chili Peppers - "Catholic School Girls Rule" (1985), The Prime Movers - "Wind" (1984), Tussle - "Ghost Barber" (2004).

April 18, 2012

Dayna Kurtz >> Somewhere hearts are pounding

Dayna Kurtz - "Beside You" (Live)
(Deebles Music, 1997 / Kismet Records, 2002)

I bought this CD a few years ago on a whim at a thrift store on Highway 61 (we call it Airline Highway in Louisiana) for $2.  The cover shot of her face was starkly bold, apparently an homage to Joni Mitchell's Blue, and the title, Otherwise Luscious Life, was an obvious nod to the jazz standard "Lush Life."  It turned out to be a live album, with just Dayna accompanying herself on acoustic guitar, though the songs are full-sounding enough that the first few times I listened to it I didn't even realize there was no drummer, bassist, etc.  It was recorded live at Wintertide coffeehouse in Vineyard Haven, MA, on 7/18/97.  So: A solo performer on acoustic guitar, live at a coffeehouse... That doesn't exactly sound very promising as Blowtorch Baby material, but it so is.  This is heavy music.  This is heavier than anything that those pathetic pansies in Slayer, Wolf Eyes, or Converge could ever come up with.   She won the National Academy Of Songwriters’ award for Female Songwriter Of The Year in 1996, 1997, and 1998, while you were sitting around wasting your time listening to Guided By Voices, Stereolab, and Neutral Milk Hotel, respectively.


How great of a line is "Somewhere hearts are pounding"?  So vague, yet every interpretation of it is probably interesting.  DK has a very husky voice, probably quite influenced by Nina Simone; this is one of the few songs that she sings in her high, essentially falsetto, register.  The last name is presumably German, but she looks somewhat Native American.  I like this pic by an unknown photographer:


I recently got a 2004 promo EP of hers called The Beautiful Yesterday Sessions, but I dislike it.  She is playing here for Jazz Fest (the most inaccurately-named festival in the country) in a few weeks, and also has scheduled two little club gigs, so I might go see her.  She even named her 2006 album NOLA (hilariously spelled Nola on most websites) in honor of New Orleans, LouisianA.  I have a feeling she no longer plays any early, melancholic stuff, though.

I nabbed this from the Tumblr of super-negra a few months ago:


And then I just found this new, even more detailed one she had drawn for someone else:



...LOL

I'm missing Chairlift tonight, but will hopefully see them sometime, if only for their songs "Wrong Opinion" and "Cool As A Fire."  One reason I'm not making the hour-long drive to NOLA is that I don't like opening act Nite Jewel.  I do have tickets to this at Tipitina's on Friday, though:




Planets with similar climates: Tracy Chapman - "For You" (1988), Maxwell - "Know These Things: Shouldn't You" (1998), Ani Difranco - "Sorry I Am" (1995), American Music Club - "Last Harbor" (1988), Suzanne Vega - "Small Blue Thing" (1985), Joni Mitchell - "Blue" (1971), Alicia Keys - "Butterflyz" (2001).


Currently eating or drinking: Cabot Seriously Sharp (white) Cheddar; Sunbelle blueberries; Pepperidge Farm Farmhouse oatmeal bread; Samuel Smith Imperial Stout; Rogue Chocolate Stout.

April 16, 2012

The Make-Up >> I'll throw the first stone you put in my hand

The Make-Up - "I Want Some"
(Giant Claw Records [Australia], 1998 / K Records, 1999)

The once-beehived Michelle Mae proves why she's one of the illest bassists of the century here.  To hear another example of her bass ways, listen to "Type-U Blood," "Don't Step On The Children," and "The Bells."  Despite her ice-queen persona, or perhaps because of it, she was the undisputed indie rock sex symbol of the mid to late '90s, and is now a yoga instructor.  I unfortunately missed a Make-Up gig in New Orleans on Aug. 15, 1997, for reasons which I'd rather not divulge here.  I never liked their name until I realized it has several different meanings: to tell a lie; stuff worn on the face; one's fortitude/character. I can't think of a better song that features handclaps.


I got both of Nation Of Ulysses' albums in the early '00s, but never really connected with them.  NOU and The Make-Up were pretty hit-and-miss, but each had some gems.  This song was released as a single on an Australian micro-indie called Giant Claw in '98, and then on the band's singles / rarities compilation called, fittingly, I Want Some the next year.  I finally bought that CD this past December; Ian said in an interview in horrible local music zine Antigravity that it's going to be reissued this year.


Megan Fox being bothered by a young Daniel Johnston at an airport

Ian & Michelle's more recent band was called the Scene Creamers.  Here's a bumper sticker on a car parked in front of me at the Annunciation Street basketball court last week:


Fri. 13th: Dropped off some plants (Quercus virginiana & Agave desmettiana) at Parkway Partners right before going to French Quarter Fest.  Was given a beautiful Lyonia lucida and Echeveria 'Ruby' as thanks.  That made my day.  I gave away 7 plants/trees this week, so I guess I earned those 2 in return.  Found out the hard way that the FQF now bans bikes, but the nice security lady offered to watch over my bike, so I bought her a Bananas Foster and a fish taco wrap as thanks.  Missed local mad scientist weirdos Consortium Of Genius (C.O.G.) due to getting there late.  Saw Sasha Masakowski (w/ guest Khris Royal on sax on a few songs), brass-rock band Magnetic Ear (covered Nena's "99 Red Balloons" and Nirvana's "In Bloom"), Mynameisjohnmichael (3 songs), Pine Leaf Boys (2 songs), & probably some others.  Was stuned to find the Comsat Angels' album Land on vinyl at Peaches Records for only $5.  I only got here about once a year because they're really overpriced, but I may have to start going more often.  Bought a little silkscreened(?) print by an artist named Jack Wittenbrink at Jackson Square.  Bought School Of Seven Bells' 2nd CD at Skully'z; Scott was shocked when I told him I saw them, since he didn't even know they were coming through on tour.  Went into a little market in the Marigny that just had a sign saying "Market" outside and got some great food.  I coincidentally parked my car literally at the site of the famous Plessy v. Ferguson incident on Press Street.
It was funny when the announcer repeatedly called Sasha Masakowski (Maz-uh-KOW-skee) "Sasha Maskatowski" (Mass-kut-OW-skee), generating much stifled laughter from her and her band.

Sat. 14th: Spring Garden Show at City Park.  Geared up for this one for a long time and was not disappointed. Bought a threatened (that's one step below endangered) species called Litsea aestivalis (Pond-spice).  Also got one each of: Viburnum dentatum, Eryngium yuccifolium, Hydrangea quercifolia, Leptospermum scoparium, Vaccinium darrowii (for my neighbor Don), and Pityopsis graminifolia.  I regret not buying a $6 praying mantis egg case which will supposedly hatch out over 200 babies to eat bugs in one's neighborhood.  Talked to legendary local plant expert & author Dr. Charles Allen for a few minutes.

Today, Mon. 16th: Saw a guy who was clearly driving on drugs go right through two red lights.  His rear lights were intentionally blacked out (totally illegal) in order to look cool, and the whole truck was painted primer gray, a common thing done to a recently-stolen vehicle.  The truck was slightly lowered and had gigantic rims, of course.  The dude was white.  He was talking on a cell phone and weaving through traffic without signaling.  I tailed him for a while and found out where he parked so I could call in to the cops.  I thought it was an apartment complex until I looked and saw a sign saying that it was a drug treatment clinic.  So this little punk was surely on parole and going in for a mandatory drug test; hopefully they busted him and took away his driver's license.  Luckily he didn't kill anyone.  Just had to vent about this, sorry.  Also have to complain about the quality of the Eastbound And Down series finale last night.

The last few days have been pretty great for the Hornets.  They were bought by Tom Benson; they've won four games in a row; David Stern awarded NOLA the 2014 All-Star Game.  The only semi-bad news is that Benson said today that he's gonna change the team's name.

Enjoy this truly mind-blowing series of tweets sent by Jose Canseco the other day, which will be ruminated upon by scholars for decades to come:


Graft punk: Breaking the law to help urban trees bear fruit

Koch brothers, worth $50 billion, sue widow over $16.00 of nonprofit's stock
Related: Online campaign to boycott Koch Industries grows

When tankers tell the truth

Planets with similar climates: Throwing Muses - "Vicky's Box" (1986), Moonshake - "Sรฉance" (1993), !!! - "Intensify" (2000), George McCrae - "I Get Lifted" (1974), Lyn Collins - "Think About It" (1972).

April 12, 2012

Sovetskoe Foto >> Seeing you breathing is my inspiration

Sovetskoe Foto - "Cellophane Laughter"
(Rebel Rec. / SPV Recordings, 1991)

I don't really know anything about this band, especially what this song title meant.  That really irritates me.  While looking for their music on eBay, I ascertained that their name was taken from an old Soviet photography magazine called... Sovetskoe Foto.  The members of the band, at least on this album, were Georg S. Huber (bass), Walter Sterr (guitars), Stefan Busch (vocals), and Marc Turiaux (drums).  They hailed from Rosenheim, Germany, but recorded this album, The Humidity, in NYC with esteemed noise rock producer Martin Bisi.  I bought this CD on a whim for a dollar at the Tulane Record Raid in March of last year, drawn in by the cover art and song titles.  To read my overly long review of it, go here and look under the username shockofDAYLIGHT.  The song itself starts off funky and sleazy, and would be pretty memorable if it just continued on that way for its duration.  But it undergoes a sudden Helmet-style breakdown and then a speedy tribal part.  Just amazing, breathtaking musical talent, especially the rhythm section (translation: drummer + bassist).  Though the rest of the album doesn't live up to this song, the jarring, Bare Minimum-esque "Necromancer" and the ultra-funky, The Pop Group-esque "Stay Tonight" are noteworthy.


"Seeing you breathing is my inspiration" is a blithely romantic line upon first listen, and later becomes evident as a great pun when you realize what the medical definition of "inspiration," as part of the system known as respiration, means.  Also buried under the instrumental fireworks is the line "Struck my eyes with a thousand lights."  Jim Thirlwell (a.k.a. Foetus) sings guest vox on the feral "Forget".


Fun Fact: Sovetskoe Foto's publicity company was named Art Rock Mgmt.

CDs in my car on March 8th; top one is Secret Life Of Machines by Doldrums.

Friday: Ate at Clancy's with parents, Em & Damion. Met one of D's brothers, who played hoops at (I think) Swarthmore.  I had the best bread pudding of my life for dessert.

Saturday: Went to Mandeville & took my customary stroll through the Northlake Nature Center, which is sort of a Zenlike ritual that I always do when I'm up there.  The flora really is quite different from that of the south shore of the lake.  A big black snake with yellow spots slithered right in front of me, and I, a former aspiring herpetologist, was sadly unable to identify it.  I semi-accidentally took a root pup of one of my all-time favorite tree species, Vaccinium arboreum (Sparkleberry or Tree Huckleberry).  It has some roots so hopefully it will live.  The pup I took in Dec. 2010 died.
Then went to a great plant nursery called Inwood Gardens in Covington.  They had dozens of unlabeled cacti & succulents, so I volunteered to write their Latin names on the sides of their pots.  So I did this off the top of my head (no books) for about half an hour.  Finally one of my useless talents came in handy... The lady working in that greenhouse seemed pretty bemused.  Bought an Agave guiengola, which I never thought I'd see in person, much less be able to buy.  Just look at this motherfucker reclining in a group of them, living the high life while you sit here on your computer.

Tuesday: Went to Baton Rouge to see School Of Seven Bells and EXITMUSIC at the Spanish Moon.  On the way, I stopped at the Blockbuster Video that's going OOB and scored a bunch more obscure foreign (mostly) flicks for $2 each.  Then I hit up FYE and got lots of kewl cheapo used CDs (The Heart Throbs, Hooverphonic, The Railway Children, Secret Machines, Sunny Day Real Estate, King Missile, Heather Duby + Elemental, Teenage Fanclub).  Passed on a Zapp CD due to its lame song titles.  I made it to the essentially empty club just in time, and saw SVIIB's Ben Curtis shooting pool upstairs.  As befitting their Radiohead-based name, EXITMUSIC were not too exciting, kinda dirgey, like Beach House meets Swans or something.  I think I just heard half of the blogosphere pop a boner after hearing that description.  They opened with "Sea," and closed with a great new song, "Sparks Of Light," from their upcoming LP Passage.  Their guitarist played it using a cello bow, Jimmy Page-style.  They were so loud that all kinds of things were rattling throughout the club, and I hence didn't even try to take a video clip of them.  SVIIB came on like a well-oiled machine and delivered a great performance to a crowd of only 40-50 people.  I saw them open for Interpol last April in front of almost 1000 people, so I was crestfallen that they had to headline for so few people.  The club had only put up a few crude flyers, so I mainly blame the club's management.  This time SVIIB had four members, whereas last year it was two, or maybe three.  Anyway, their new LP Ghostory is the one that I predicted would make them Big, but it seems the public is not paying attention, even though Katy Perry(!) is apparently a fan, according to every recent YouTube commenter.  (E.g. "katy perry sent me here XD")  Their setlist: Intro (sampled chanting of "I am here... I am here..."), Iamundernodisguise, Scavenger, Windstorm, Bye Bye Bye, Love Play, White Elephant Coat, Lafaye, The Night, I L U, White Wind, Low Times, My Cabal.  No encore.  No "Babelonia," which was their first song at the NOLA show last year.  Bought a cool white t-shirt afterwards with the "Kiss Them For Me" 7" cover art on it.

The two logo things were flickering lights of varying colors via MIDI; my flash unfortunately negated it.
Not shown: 1.) The entertaining way that the singer shakes her head from side to side after every line. 2.) The guitarist's SVIIB chest tattoo.

Offensive wallpapers

Planets with similar climates: The Pop Group - "Sense Of Purpose" (~1980), Shudder To Think - "Goat" (1992) & "Gang Of $" (1994), Gang Of Four - "Damaged Goods" (1979), Live Skull - "Machete" (1987), Polvo - "Highwire Moves" (1995), Fugazi - "Sieve-Fisted Find" (1990), Tanner - "Hey Jigsaw" (1995).

April 6, 2012

Springhouse >> Find the bullet, not the gun

Springhouse - "Enslave Me"
(Caroline Records, 1992)

Sick basslines, passionately cryptic vocals ("All makes my heart yearn for a beach where we burn"), jangly-yet-intense guitars (with a roughly-strummed acoustic guitar hidden in the mix too), a minimalist guitar anti-solo, choppy drumming, even some EBow drones... This song has it all.  Even the album title, Postcards From The Arctic, is a champ.  The band was even on one of the most prominent indies of the era, yet they languish in near-total obscurity to this day.


The other essential songs on this album are "Asphalt Angels," "Ghosts," and "Shattering Cold."

Back cover of CD; credited in booklet as "1910 Arctic expedition photograph by 'Unknown'"

Drummer Jack Rabid (presumably a pun on "Jackrabbit") is one of the most bestest dudes in indie / punk music history, having published his influential zine The Big Takeover since the early '80s.  One of the things he did that people like myself will always want to buy him a beer for is to champion the shoegaze / dream pop bands as they were coming out of England and later the U.S. and other places.  He was/is a massive fan of The Chameleons, Catherine Wheel, The Sound, The Comsat Angels, Swervedriver, For Against, Hรผsker Dรผ, Ride, Kitchens Of Distinction, The Wipers, etc.  For example, in 1997, he chose Catherine Wheel's Adam And Eve as album of the year over Radiohead's much-touted OK Computer.  I think that C.W. album is non-amazing, but still, anything that knocks Radiohead down a notch is great by me.  (I believe he also chose C.W's Happy Days as album of the year in '95 over Radiohead's The Bends.)  And I think he was the author of the article that got me into Feverdream in '98 or '99.  And believe me, almost no one else was writing about Feverdream then, or ever.  Jack was in a punk band called Even Worse in the early '80s and named his zine after the famous Bad Brains song, but like I said, he later branched out into lots of other, more mature styles of music.  If you're into the Blowtorch Baby aesthetic of music, you've probably come across an occasional review of his that I've cited from AllMusic Guide or Trouser Press.  About 6-7 years ago I put together a long-ass playlist of songs to burn onto CD-Rs for him, but I figured he had probably already heard most or all of them, so I never followed through with it.

Bassist Larry Heinemann has (or had?) a lucrative side gig with Blue Man Group.  His big, round bass tone was Springhouse's secret weapon.  Mitch Friedland played the guitar and did all the vocals, which is quite a demanding task in a "power trio."

There's a nice Springhouse fansite that summarizes them thusly: "Springhouse is an American band, although you might not guess it from their strong UK influences... Springhouse songs have one foot grounded solidly in early 80s post-punk and one floating in ethereal guitar-swirl heaven. Their earlier material tends to be more driving and energetic, while their later material is more soothing, eerie, and reflective. Power and beauty. That's Springhouse... Sadly, Springhouse disbanded shortly after Postcards was released. They reformed briefly in 1994 in order to open for the American leg of the Mark Burgess And The Sons Of God tour. After the tour, they disbanded again."  They reformed for a new album a few years ago, but I haven't heard it, since I'm not really into "reunion albums."  Some recent reunion albums by Springhouse's peers have been good (For Against) and some have been bad (The Verve).


Speaking of slavery, I mentioned a little while back that the first person in my family emigrated here in 1903, some 38 years after slavery ended in America.  I'm quite proud of that fact & just wanted to point it out in black & white for those of you who skipped the SAT.  I'm also quite self-conscious of the lack of non-white artists on this blog, but I'm trying very hard to fix that.  The problem is that the vast majority of my favorite bands with black members have been on major labels, so I simply can't post them, and I don't know of many, say, Mexican shoegaze bands or Cambodian ambient dudes or Inuit noise rockers.  Oh well, music has no color since it's just an invisible entity.  Carry on...


Time-lapse of ocean currents looks like a living Van Gogh painting

Planets with similar climates: The Chameleons - "Return Of The Roughnecks" (1985), Adorable - "Crash Sight" (1992), The Black Watch - "Come Inside" (1994), The Sound - "Burning Part Of Me" (1984), Catherine Wheel - "Waydown" (1995), Verve - "All In The Mind" (1992), Spy Vs. Spy - "Injustice" (1985), Hรผsker Dรผ - "Don't Want To Know If You Are Lonely" (1986).

April 2, 2012

Trial Of The Bow >> That's not a knife

Trial Of The Bow - ""Inverloch"
(Release Entertainment, 1994)

This is a pretty ethereal and somewhat menacing track, with a timeless feel that makes its origin hard to pinpoint.  It's a shame that Trial Of The Bow (no idea what the name means) only recorded one EP and one full-length.  This is from the EP, called Ornamentation.  I almost posted the more dynamic "The Two Sacred Tapestries Of Persia" or "From The Mountains Of Tangier", but decided "Inverloch" deserves to be better-known as a chillout classic.  They were from Melbourne, and this EP would make a great soundtrack for one of my favorite Aussie flicks, the existentially violent Walkabout, or for Picnic At Hanging Rock, which I just saw for the first time last month.  The song is named after the seaside town of Inverloch in Victoria, Australia.  This one goes out to ManiacEyeball.


AllMusic Guide says "In addition to the use of the standard guitar/bass/drum setup, the duo also uses several exotic instruments, including the tabla, hammer dulcimer, tamboura, manjira, bansuri flute, and e-bow. Their lengthy, evocative, contemplative drones take cues from several ageless sources, alternating from haunting to soothing."
They actually made an official music video for the song, which I have on one of those Rock Video Monthly VHS tapes.  It's also on YouTube, sadly at only 240p.  The video's director (username: warmcola) said "I made this video waaaay back in 1994, shot on Super VHS and edited together on my Uni's brand spanking new AVID... Great to see it again."


Sept. 1995 VHS; Trial Of The Bow's EP cover is at bottom right
This VHS has videos for some amazing, era-defining songs by Buffalo Tom ("Summer"), Matthew Sweet ("We're The Same"), Better Than Ezra ("In The Blood"), and Faith No More ("Evidence"), and is capped off perfectly by the "Inverloch" vid.  I have a bunch of these RVM VHS tapes but since the advent of YouTube I never watch them.

Well, I was pretty mad about the ridiculously poor sound mix that Swervedriver had inflicted upon them by the Jimmy Fallon show (or I guess by NBC in general) last Monday.  It totally neutered their sound and made them sound muddy and amateurish, whereas in reality nothing could be further from the truth about them.  Maybe their sheer volume simply overloaded the limiters / attenuators and caused the levels to be artificially low?

I found this magazine the next day in someone's trash on the curb, a few minutes before a massive storm came through.  It's a beautiful, Anton Corbijn-esque shot in every way.  I think I'm going to frame the cover, since I'm really into desert plants; the pic is of a group of Joshua trees (Yucca brevifolia), of course.  December '93 was a really rough time for me for several reasons, so this cover helps me reboot my brain when it comes to how I remember that time.


Going back a few weeks...

March 20: Saw Alcest (from France), Deafheaven (from San Francisco), and Whom Do You Work For? (from NOLA) at The Big Top.  It was probably the smallest crowd that Alcest, a hybrid shoegaze-metla band, has played to in years, but they were appreciative.  WDYWF? stole the show, in my mind at least, with their edgy, Slint-y, CAN-y, controlled chaos.  I recommended A.R. Kane's "Green Hazed Daze" to their singer afterwards, and he immediately typed it into his phone as a reminder.  Also bought their new CD-R EP, which comes in several different spray-painted covers.

Flyer showing upcoming shows put on by An Idea Like No Other + a show preview from local zine Antigravity

I snapped a pic even though lots of people were taking better ones up front:

They probably haven't played on a stage this small in many years

March 23: Saw two concerts by Dutch saxophonist Tineke Postma at the Manship Theatre in Baton Rouge.  Esperanza Spalding is no longer her bassist, unfortunately, but it was very good nonetheless.

March 24: The annual spring Record Raid at Tulane.  Got a bunch of stuff I never thought I'd find, such as Band Of Susans' Love Agenda (LP), the influential ambient compilation Ambient 4: Isolationism (2xCD), and other stuff like some Massive Attack, Idaho, Miles Davis, and Breathless.  Talked to this girl Candice who remembered talking to me at a Broken Water show two years ago, and even remembered that I was wearing a James Chance & the Contortions shirt that night.  Wow.  She showed me a Wipers tattoo on her tricep; I think it said "Is this real?"  Bought a New Bloods 7" and a Hell-Kite cassette from her booth, plus she tipped me off to a zine with a semi-nude photo of Broken Water on the back cover, so I of course bought that.  Also met some other really cool people, including a guy who was at a Trans Am show I saw in '99 (see upcoming post on that) and his wife, Kathi.  She was, unbeknownst to me, DJing when I called in to WTUL to ask about a song (which turned to be from Belong's latest album) a few days later, and recognized my voice, so we talked for a few minutes.  I requested something by Seefeel, whom she had never heard of; I told her to pick any song and she ended up choosing "Climactic Phase #3".

March 29: Was driving around in east Baton Rouge near Prairieville and saw a Blockbuster Video that was going out of business, so I hit it hard for a few hours and got some obscure foreign films.

March 31: Went to the annual Dept. of Parks & Parkways plant sale at Dillard.  Got a huckleberry tree, a spicebush, and two little flowering plants.  Talked about lots of obscure plant topics with a DPP employee named Skip; decided to name the huckleberry tree after him because his praise of the species led me to buy it.

This post's title is everyone's favorite line from a certain famous Aussie movie, duh.

130 Simpsons episodes at once

Planets with similar climates: Steve Roach & Robert Rich - "Touch" (1992), Miles Davis - "He Loved Him Madly" (1974), Brian Eno - "Lantern Marsh" (1982), Bark Psychosis - "Pendulum Man" (1993).

March 26, 2012

Swervedriver >> Get me to the world on time

Swervedriver - "99th Dream"
(DGC Records, 1996 [unreleased] / Zero Hour Records [U.S.], Cortex [Australia], 1998)

I wrote most of this in September, during California Month, so I couldn't post it then.  I recently revived and expanded it, and then yesterday I learned the astounding news that the Swervies will be playing on the Jimmy Fallon show tonight.  Yes, go back and read that sentence again.  A cult band from England that hasn't recorded any new music in ~15 years will be playing on the Jimmy Fallon show tonight.  Unfortunately, the Swervies live up to the "shoegaze" stereotype of being quite uncharismatic live (ever since losing charismatic bassist Adi Vines in the early 90s), so I'd recommend closing your eyes and turning up the volume.  They truly are all talent and no image; Adam Franklin even shaved his trademark dreads.


Yes, this was recorded in 1996, for Geffen / DGC Records, and a promo CD was sent out in '97.  But li'l Dave Geffen dropped the band and the album was shelved and the promos were probably ordered destroyed.  It ultimately came out on indie Zero Hour in early '98, with a different mix of "These Times".  (Those who have heard both versions say the original DGC mix of that song was superior.)  Just another installment in of the Swervies' legendary record label-related woes...

"Architecture, nature, alcohol / Space travel, rock and roll."  Any questions?  "I'm dreaming number 99 / Get me to the world on time."  This is the song that should've finally catapulted them to arena headlining status, after deafening audiences in arenas for the previous 7 or so years as the opening act for alterna-stars like Soundgarden, Pearl Jam, Monster Magnet, and the Smashing Pumpkins.  (I should've gone to the Pumpkins show in late '93; Swervedriver and Shudder To Think, two bands I had never even heard of at that time, were the opening acts).  The very Beatles/Oasis-esque "These Times" also had major chart potential, obviously.
Here is the back cover of the super-rare '97 DGC promo CD; even the photo itself is so rare that hardly anyone has ever seen it:


1998 Zero Hour promo CD single (edited down by 2 minutes) showing the band's new "satellite" logo

The opening surf rock lick is mighty nice, but I wish it had continued throughout the song.  Dick Dale would be proud.  Adam had learned to sing by this album, bringing a lot more nuance and tenderness to his delivery, and this song is a great example of it.  This album, also titled 99th Dream, is generally viewed as being the least great of their four LPs, but it has some impressive moments.  I personally rank it ahead of Ejector Seat Reservation, but way behind the essential one-two punch of Mezcal Head and Raise.

My obsession with Swervedriver began when I read about Mezcal Head in Alternative Press in '95, then listened to it in '96 at Plan 9 in Richmond, VA, then finally bought it in '97 at the Mushroom in NOLA.  Then I saw them in March '98 opening for Hum, which was an incredible show of course, and still one of the loudest and most amazing I've ever seen.  Then I got their debut album Raise late that year, an album that, like Mezcal Head, is simply chock-full of songs that should've stormed the airwaves.  The band broke up the following year, making the upcoming millennium look even more grim.  In early 2003 I won a lot of four Swervie 12"s on eBay for a shockingly low price (I pretty much got them free and just had to pay shipping), and then gradually acquired most of their singles.  For example, I have "Never Lose That Feeling" on 7", 12", white-sleeve promo 12", and CD single.  Yes, it's that mind-blowing of a song, and is probably the one song that most encapsulates everything that this site stands for:


Be sure to listen to the equally mind-blowing instrumental dub/space-rock meltdown "Never Learn" immediately after the above song finishes, since it comes right after "Never Lose That Feeling" on the EP.  Trust me.

Here is an entire set they did on March 16, 1998 in Oklahoma City, which was five days after I saw them at the House Of Blues in New Orleans.  I actually would recommend not watching that unless you saw them live in the '90s, because it doesn't do justice to how stunningly loud and tight they were.

Not mentioned on the ticket was an incredible local band called The Universal Chrome (formerly known as Flux), who played first

Like The Sound and The Comsat Angels in the '80s, Catherine Wheel and Plexi in the '90s, and Film School in the '00s, Swervedriver's failure to reach ultramegastardom will never cease to baffle myself and other enthusiasts of this kind of music.  Luckily they became pretty big in Australia, where Stooges-influenced rock always finds eager ears.
"99th Dream" live in '98 on the Aussie Saturday morning(!) TV show Recovery; the flashing polka-dot background is apparently based on the promo CD's cover art shown above:


Logo I drew freehand in '06 in about a minute; tried to improvise some sort of vaguely "Asian" script style


Yesterday I signed onto AOL for the first time in almost 3 months.  There's stuff to talk about from the past week pertaining to two concerts (Alcest, Tineke Postma), and the spring Record Raid at Tulane, but no room or desire right now.

Last night's episode of Finding Your Roots, featuring Harry Connick Jr. and Branford Marsalis, was so interesting that I was inspired to dig out my family's genealogy book.  Some tidbits: There was a guy named Kermit who married a lady named Starlie Joy, and they had daughters named Starmary and Rosemary. About my great-grandfather Per, who emigrated from Sweden in 1903: "Changed surname [from Stadig to Rame, then to Ramee] in the Swedish army.  Counted Eisenhower, Marshall and Patton among his pupils at the military academy in Kansas City, where he taught for 10 years after being pensioned.  He was a good friend of Pres. Harry S. Truman."  And "Occasionally Pop [Per] was summoned to fill in at the President's poker table."  Um, what?  He trained and partied with some fuckers who later helped to defeat the Nazis and hence save the world? I suddenly feel pretty lame in comparison...

Blame the GOP for $4 gas

How exercise can change your DNA

God Hates Facts - "This explains a lot"

The NFL's punishment of the Saints is harsh, nonsensical, and hypocritical

Bounty penalties remove New Orleans Saints from Super Bowl contention - has an interesting comment provided by someone named Hazzard27: "It's funny how in 2009 the Saints were only fined a total of $10,000 (which was tied for 22nd in the league) and $40,000 in 2010 (18th in the league)......if there was so much cheap-shotting and intending to injure going on, it wasn't outside the rules according to the league."

Planets with similar climates: Catherine Wheel - "Black Metallic" (1991), Hum - "Little Dipper" (1995), The Bevis Frond - "Coming Round" (1992), Talk Talk - "Life's What You Make It" (1986), Plexi - "Forest Ranger" (1996).